The crux of the conflict is that Ruskin never consummated the marriage John Everett Millais, the pre-Raphaelite painter plays too little a part in this adaptation and Effie Gray (Dakota Fanning, looking innocently pre-Raphaelite) is so underwritten as to make me question what such a wit as Thompson was thinking. Neither reason is satisfied, nor in fact are dynamic people barely present in this boring biopic.
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